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Naruto Fan Art With Mt Fuji in the Back

Japanese manga artist, primarily known for his work Naruto

Masashi Kishimoto
岸本 斉史
Built-in (1974-11-08) Nov 8, 1974 (historic period 47)

Nagi, Japan
Occupation Manga artist
Years active 1997–nowadays
Employer Shueisha

Notable work

 Naruto
Children ane
Relatives Seishi Kishimoto (twin brother)
Awards Quill Award (2006)

Masashi Kishimoto ( 岸本 斉史 , Kishimoto Masashi , built-in November 8, 1974[ane]) is a Japanese manga creative person. His best known work, Naruto, was in serialization from 1999 to 2014 and has sold over 250 million copies worldwide in 46 countries as of May 2019.[2] [three] The serial has been adapted into two anime and multiple films, video games, and related media. Besides the Naruto manga, Kishimoto also personally supervised the two canonical anime films, The Concluding: Naruto the Movie and Boruto: Naruto the Movie, and has written several i-shot stories. In 2019, Kishimoto wrote Samurai eight: The Tale of Hachimaru which ended in March 2020. From May 2016 through October 2020 he supervised the Boruto: Naruto Next Generations manga written by Ukyō Kodachi and illustrated past Mikio Ikemoto. In November 2020 it was announced that he had taken over equally writer on the series, replacing Kodachi.[four]

A reader of manga from a young historic period, Kishimoto showed a desire to write his ain manga, citing authors Akira Toriyama and Katsuhiro Otomo equally his principal inspirations. As a effect, Kishimoto spent several years working to write his own shōnen manga for Weekly Shōnen Jump mag which he was a fan of.[5]

Early life [edit]

Masashi Kishimoto was born in Okayama Prefecture, Nippon on Nov 8, 1974, equally the older identical twin of Seishi Kishimoto.[i] His home was close to Hiroshima where his grandfather originated. Kishimoto's grandfather oftentimes told him about stories of war and how information technology was related to grudges. In retrospect, Kishimoto commented he could not criticize anyone as a result of the war based on it was built. He felt grateful to previous generations for catastrophe the world wars.[half-dozen] During his babyhood, Kishimoto showed involvement in drawing characters from the anime shows he watched, such as Dr. Slump 's Arale and Doraemon 's titular protagonist.[vii] [8]

In simple schoolhouse, Kishimoto started watching the Kinnikuman and Dragon Brawl anime alongside his brother.[9] During the post-obit years, Kishimoto started idolizing Dragon Brawl 's original creator Akira Toriyama, enjoying not only his serial Dragon Brawl and Dr. Slump, only also Dragon Quest, a series of role-playing video games for which Toriyama is the fine art designer. While he could not afford to buy Weekly Shōnen Bound where the Dragon Brawl manga was published, he followed the series thanks to a friend from school who had subscribed to the mag.[10] [11] By high school, Kishimoto started losing interest in manga as he started playing baseball and basketball, sports he practiced at his school. However, upon seeing a poster for the animated picture show Akira, Kishimoto became fascinated with the mode the illustration was made and wished to imitate the serial' creator Katsuhiro Otomo'due south style.[12] Other serial he enjoyed reading are Jin-Roh: The Wolf Brigade; Ninku; and Ghost in the Crush.[13]

During his concluding years at Kyushu Sangyo University, Kishimoto spent time drawing manga and went to an art college with the hopes of condign a manga artist.[14] Upon inbound college, Kishimoto decided he should try creating a Chanbara manga since Weekly Shōnen Jump had not published a title from that genre. Withal, during the same year, Kishimoto started reading Hiroaki Samura's Bract of the Immortal and Nobuhiro Watsuki's Rurouni Kenshin (the latter of which was published in Weekly Shonen Bound), which used the said genre. Kishimoto recalls having never been surprised by manga always since reading Akira and found that he still was non able to compete confronting them.[15]

In his second year of college, Kishimoto started drawing manga for mag contests. However, he noted that his works were like to seinen manga, aimed towards an adult demographic, rather than the shōnen manga read by children and teenagers.[16] Wishing to write a manga for Shōnen Spring (which targets a young demographic), Kishimoto plant his mode unsuitable for the mag.[17] When watching the anime series Hashire Melos!, Kishimoto was surprised past the graphic symbol designs employed by the animators and he started researching works from animators. He later met Tetsuya Nishio, designer from the anime adaptation of the manga Ninku, who he accounted a large influence.[18] Now emulating the style of drawing from multiple character designers from anime serial, Kishimoto noted that his style started resembling shōnen series.[19]

Career [edit]

Early works [edit]

Kishimoto'due south first successful manga pilot was Karakuri ( カラクリ , lit. "Mechanism" ), which he submitted to Shueisha in 1995. This earned him an honorable mention in Shueisha'due south monthly "Hop Pace Award" in 1996, granted to promising rookie manga artists.[xx] At this point he was assigned an editor, Kosuke Yahagi, and worked on a number of rejected drafts including a slice-of-life manga, Michikusa ( 道くさ , lit. "Wandering Detour" ),[21] [22] and an activity manga, Asian Punk ( アジアンパンク , Ajian Panku ).[23] In 1997, he wrote a one-shot version of Naruto ( NARUTO－ナルト－ ) which was published in Akamaru Jump Summer.[13] [22]

In December 1997, while redeveloping Karakuri for serialization, Kishimoto was offered a one-shot in Weekly Shōnen Jump. The new version of Karakuri debuted 2 weeks later in Weekly Shōnen Jump 1998 No. iv-v, but was hampered past the sudden deadline and performed poorly in reader surveys, beingness canceled immediately.[22] [24]

Following the failure of Karakuri, Kishimoto reduced his output and began moving in a seinen direction with drafts for a baseball manga, Yakyūō ( 野球王 , lit. "Baseball King" ),[25] and a mafia manga, Mario ( マリオ ),[26] hoping to find better luck with a seinen magazine.[22] Yahagi persuaded him to give the shōnen genre 1 concluding shot and Kishimoto began working on storyboards for a fantasy 1-shot, Magic Mushroom ( マジックマッシュルーム , Majikku Masshurūmu ),[27] but stopped when Yahagi chosen and asked him to instead develop storyboards for serialization.[22] The two decided to submit a version of Naruto with a reworked story and world and produced storyboards for the offset three chapters, winning a spot in the mag. With a six-month pb time, Kishimoto repeatedly revised and redrew the first several chapters of the series.[22]

Naruto [edit]

In September 1999, the serialized version of Naruto premiered in Weekly Shōnen Bound 1999 No. 43 and chop-chop became a hit. It ended on November 10, 2014, afterward more 15 years of serialization, with a total of 700 chapters collected in 72 volumes. Sales have exceeded 113 one thousand thousand copies in Japan and over 95 one thousand thousand copies in the U.s.a.,[28] followed past over 93 one thousand thousand copies worldwide (outside Nippon and Usa) every bit of volume 36.[29] This makes full sales for the series approximately 301 million copies.

Kishimoto was likewise the winner of "Rookie of the Twelvemonth" for the series in the Bureau for Cultural Affairs.[thirty] It was adapted into two successful anime series, Naruto and Naruto Shippuden. Kishimoto requested that Tetsuya Nishio oversee the character designs of Naruto when the manga was adjusted into an anime series.[31] The Naruto manga series became one of Viz Media'due south top backdrop,[32] bookkeeping for nearly 10% of all manga sales in the US in 2006.[33] The seventh book of Viz's release became the start manga to ever win a Quill Honour when it claimed the accolade for "Best Graphic Novel" in 2006.[33]

War is a theme Kishimoto wanted to tell in the manga based on the Hiroshima crisis he was told from his gramps. Despite understanding that war has no practiced site, Kishimoto wrote the concept of war in Naruto with a hopeful theme.[half dozen] Responding to Naruto'southward success, Kishimoto said in Naruto Collector Wintertime 2007/2008 that he was "very glad that the American audition has accepted an understood ninja. It shows that the American audience has expert taste... considering it means they can take something previously unfamiliar to them."[34] While writing the manga, Kishimoto met Eiichiro Oda, author of One Piece who he considered his rival. When Naruto ended, Oda left a message in the series' final book acknowledging him as a rival. According to Kishimoto "That felt so gratifying."[35]

Additionally, before the anime adaptation's premiere of My Hero Academia, he praised Kōhei Horikoshi's work, believing information technology would be a success overseas.[36] Additionally, Kishimoto referred to Yoshihiro Togashi every bit one of his favorite artists.[37]

For the video game Tekken 6, Kishimoto redesigned its new graphic symbol, Lars Alexandersson. CyberConnect2 CEO Hiroshi Matsuyama said he was attracted past this design and thus asked the Tekken staff if he could include Lars in the video game Naruto Shippuden: Ultimate Ninja Tempest 2.[38] For Naruto Shippuden: Ultimate Ninja Storm Revolution, Kishimoto was responsible for Mecha Naruto upon being suggested past the staff to include a new character. Kishimoto decided on adding a character that would bring a big impact to worldwide level, which resulted in Mecha Naruto. CyberConnect2 CEO Hiroshi Matsuyama was surprised when seeing the new character.[39]

For the ninth Naruto picture, Route to Ninja: Naruto the Movie, Kishimoto was responsible for both the story planning and the characters' designs.[40] To promote the film, Kishimoto worked in Motion Comic Naruto, a DVD that showed scenes from the manga in 3D that was given to the kickoff 1.v million people who went to the cinema.[41] Regarding Naruto 's publication, Kishimoto told Tetsuya Nishio in July 2012 that the series would accept over a twelvemonth and a half to terminate. Yet, Kishimoto admitted that it at present appears that the manga will proceed beyond that timeframe.[42]

Throughout 2014, Kishimoto supervised the film The Concluding: Naruto the Movie, which would human activity as a bridge connecting the series' conclusion and epilogue, providing the story concept and character designs.[43] The Naruto series finally ended on November 10, 2014, with The Last: Naruto the Moving picture premiering a calendar month afterward on December 6, 2014.[44]

Kishimoto too worked on several other projects during Naruto's serialization. In 2010, Kishimoto produced a one-shot baseball game manga, Bench ( ベンチ , Benchi ), as part of Jump's "Peak of the Super Legend" projection, a series of six one-shot manga past famed Weekly Shōnen Spring artists. In April 2012, it was announced that Kishimoto would publish a 1-shot version of his long-postponed mafia manga, Mario, in Spring Foursquare,[45] based on the rough, 160-page manuscript he began working on before Naruto became serialized.[46] Throughout 2013, several of Kishimoto's one-shots saw their English-language debut in problems of the Weekly Shonen Jump digital magazine, including Mario, Bench, and the original Naruto airplane pilot. In 2015, Kishimoto besides illustrated the embrace of violinist Chisako Takashima's album Strings on Burn.[47]

After Naruto [edit]

Following Naruto'southward decision, Kishimoto became involved in the Start of a New Era Project commemorating both the manga's conclusion and 15th anniversary. On the last page of the final chapter, Weekly Shōnen Jump announced that a spin-off miniseries, too authored by Kishimoto, would be released in 2015. The miniseries, Naruto: The Seventh Hokage and the Scarlet Bound, ran from April to July 2015, leading up to the premiere of Boruto: Naruto the Pic on Baronial seven, 2015, which he supervised and co-wrote with Ukyō Kodachi. He likewise illustrated several light novels gear up during the same fourth dimension period as The Last. When asked by Boruto Uzumaki's vox actress Yūko Sanpei to go along making Naruto films, Kishimoto stated that he was taking a break and could not physically do so.[48]

In August 2015, Kishimoto announced that he already has finalized what he wants to exercise for his next manga series. A sci-fi manga, the series will feature a unique protagonist, with Kishimoto having already completed the character designs. He plans for the work to surpass Naruto in quality, and plans to release the series monthly via the digital magazine Shonen Leap Plus due to the taxing effort required for a weekly series. Kishimoto had not notwithstanding finalized when he plans to officially denote the series, as he wants to spend time with his family.[49] [50]

On Dec 19, 2015, it was announced that Kishimoto would supervise the monthly Boruto: Naruto Next Generations ( BORUTO−ボルト− ) manga serial beginning in Bound 2016. The new spinoff will exist illustrated past Kishimoto'southward primary assistant on Naruto, Mikio Ikemoto, and written by his writing partner for Boruto: Naruto the Movie, Ukyo Kodachi. It was preceded past a Naruto: The Path Lit by the Full Moon one-shot written and illustrated by Kishimoto.[51] In the June 10, 2019 upshot of Weekly Shōnen Jump it was announced that Boruto: Naruto Next Generations would transition to the mag's sis publication, V Bound, offset with its June 20, 2019 issue.[52]

In December 2017 at Jump Festa 2018 it was confirmed that Kishimoto was developing a new science fiction adventure series tentatively scheduled to debut in 2018.[53] A year later at Spring Festa 2019 the series was formally announced as Samurai eight: The Tale of Hachimaru ( サムライ8 八丸伝 , Samurai Eito: Hachimaruden ).[54] Kishimoto will be handling the script and rough storyboards, while Akira Ōkubo, a former banana on Naruto and brother of Atsushi Ōkubo, is responsible for illustrating the final manuscript.[55] The series debuted in Weekly Shōnen Jump on May 13, 2019, as the magazine'due south first new series of Japan'south Reiwa catamenia, post-obit a 4-page preview chapter on April 27, 2019, marker the stop of the Heisei period.[56] The series however failed to find an audience and concluded a year later in the 17th issue of Weekly Shōnen Spring on March 23, 2020.[57]

In November 2020 it was announced that later 51 chapters and 13 volumes Kodachi would step down as writer of the Boruto: Naruto Next Generations manga, with Kishimoto assuming total writing duties and Ikemoto continuing as illustrator kickoff with chapter 52 in the upcoming December outcome of V Jump magazine, published on November 21, 2020.[4]

Works [edit]

Manga [edit]

  • Karakuri one-shot (1996; Hop Pace Award winner, published in Hop Step Honor Choice eighteen ('95~'96) (1996), Akamaru Jump Winter (1997), and Naruto: The Official Premium Fanbook (2009))
  • Karakuri (December 21, 1997; debuted and canceled in Weekly Shōnen Jump 1998 No. 4-5, published in Zenkan: Naruto (2018))
  • Bench 1-shot (October eleven, 2010, published in Weekly Shōnen Jump 2010 No. 45)
  • Mario 1-shot (May two, 2013, published in Jump Square 2013 No. 6)
  • Boruto: Road to B 1-shot (August 17, 2015, published in Weekly Shōnen Jump 2015 No. 36) Information technology is a collaboration one-shot between Kishimoto and Kenji Taira (writer of Rock Lee SD manga)
  • Samurai 8: The Tale of Hachimaru — creator, writer, storyboard artist (May 13, 2019 – March 23, 2020; serialized in Weekly Shōnen Leap, debuted in Weekly Shōnen Jump 2019 No. 24)

Naruto [edit]

Manga [edit]

  • Naruto one-shot (1997; published in Akamaru Jump Summer (1997)
  • Naruto: The Official Fanbook (2002))
  • Naruto (September 21, 1999 – November 10, 2014; serialized in Weekly Shōnen Jump, debuted in Weekly Shōnen Leap 1999 No. 43)
  • Naruto: The Seventh Hokage and the Cerise Spring (April 27, 2015 – July 6, 2015; serialized in Weekly Shōnen Jump, debuted in Weekly Shōnen Jump 2015 No. 22-23)
  • Naruto: The Path Lit by the Total Moon (April 25, 2016, published in Weekly Shōnen Jump 2016 No. 21-22 and Boruto: Naruto Side by side Generations Volume i)
  • Boruto: Naruto Next Generations — editorial supervisor (Volumes 1-13, May ix, 2016 – Nov 2020), writer (volume fourteen - current, December 2020 – ongoing) - serialized in Weekly Shōnen Jump and V Leap, debuted in Weekly Shōnen Jump 2016 No. 23.

Motion Comic [edit]

  • Motion Comic: Naruto — 2012, designer

Animated Films [edit]

  • Road to Ninja: Naruto the Motion-picture show — 2012, story planning and original grapheme designer
  • The Last: Naruto the Movie — 2014, original story, original character designer and main story supervisor[43]
  • Boruto: Naruto the Flick — 2015, original story, screenwriter, original character designer and chief product supervisor[58]

Video Game [edit]

  • Tekken six — 2009, guest character designer
  • Naruto Shippuden: Ultimate Ninja Storm Revolution — 2014, character designer and editorial supervisor[39]

Artbooks [edit]

  • The Art of Naruto: Uzumaki ( 岸本斉史画集 UZUMAKI , Kishimoto Masashi Gashū: Uzumaki , lit. "Masashi Kishimoto Art Collection: Uzumaki") — 2004[59]
  • Pigment Jump: Art of Naruto ( Paint JUMP Art of NARUTO－ナルト－ ) — 2008[60]
  • Naruto Analogy Book ( NARUTO―ナルト―イラスト集 NARUTO , Naruto Irasuto-shū: Naruto , lit. "Naruto Illustration Collection: Naruto") — 2010[61]
  • Uzumaki Naruto: Illustrations ( NARUTO―ナルト―イラスト集 UZUMAKI NARUTO , Naruto Irasuto-shū: Uzumaki Naruto , lit. "Naruto Illustration Collection: Naruto Uzumaki") — 2015

Novels [edit]

  • Naruto: Tales of a Gutsy Ninja ( NARUTO―ナルト―　ド根性忍伝 , Naruto: Dokonjō Ninden ) — 2010, illustrator, co-author
  • Naruto Jinraiden: The 24-hour interval the Wolf Howled ( NARUTO－ナルト－　迅雷伝　狼の哭く日 , Naruto Jinraiden: Ōkami no Naku Hi ) — 2012, illustrator
  • Naruto: Kakashi's Story ( NARUTO－ナルト－　カカシ秘伝 氷天の雷 , Naruto: Kakashi Hiden — Hyōten no Ikazuchi ) — 2015, illustrator
  • Naruto: Shikamaru's Story ( NARUTO－ナルト－　シカマル秘伝 闇の黙に浮ぶ雲 , Naruto: Shikamaru Hiden — Yami no Shijima ni Ukabu Kumo ) — 2015, illustrator
  • Naruto: Sakura's Story ( NARUTO－ナルト－　サクラ秘伝 思恋、春風にのせて , Naruto: Sakura Hiden — Shiren, Harukaze ni Nosete ) — 2015, illustrator
  • Naruto: Konoha's Story ( NARUTO－ナルト－　木ノ葉秘伝 祝言日和 , Naruto: Konoha Hiden — Shūgenbiyori ) — 2015, illustrator
  • Naruto: Gaara's Story ( NARUTO－ナルト－　我愛羅秘伝 砂塵幻想 , Naruto: Gaara Hiden — Sajingensō ) — 2015, illustrator
  • Naruto: The Akatsuki's Story ( 暁秘伝 咲き乱れる悪の華 , Naruto: Akatsuki Hiden — Sakimidareru Aku no Hana ) — 2015, illustrator
  • Naruto: Tales of a Chaste Ninja ( NARUTO―ナルト―ド純情忍伝 , Naruto: Dojunjō Ninden ) — 2015, illustrator
  • Naruto: Itachi's True Story ( NARUTO－ナルト－ イタチ真伝 , Naruto: Itachi Shinden ) — 2015, illustrator
  • Naruto: Sasuke's True Story ( NARUTO－ナルト－　サスケ真伝 , Naruto: Sasuke Shinden ) — 2015, illustrator
  • Naruto: Konoha'due south New Story ( NARUTO－ナルト－　木ノ葉新伝 , Naruto: Konoha Shinden ) — 2016, illustrator
  • Naruto: Naruto's New Story ( NARUTO－ナルト－　ナルト新伝 , Naruto: Naruto Shinden ) — 2016, illustrator
  • Naruto: Sasuke's New Story ( NARUTO－ナルト－　サスケ新伝 , Naruto: Sasuke Shinden ) — 2016, illustrator
  • Naruto: Shikamaru's New Story ( NARUTO－ナルト－　シカマル新伝 , Naruto: Shikamaru Shinden ) — 2016, illustrator

Other [edit]

  • Strings on Burn down by Chisako Takashima — 2015, special album comprehend artist
  • Learning Japanese History Through Manga, Volume 1 — 2016, cover artist[62]
  • Learning Japanese History Through Manga, Volume 5 — 2016, cover artist[62]

Personal life [edit]

Kishimoto is the twin brother of Seishi Kishimoto, the author of 666 Satan and Blazer Drive.[five] In 2003, Kishimoto married, merely did not have a honeymoon with his wife until 2015 due to being busy with Naruto. In the making of The Last: Naruto the Flick, Kishimoto based the idea of Hinata Hyuga wanting to brand a scarf for Naruto Uzumaki on how his wife had once done the same for him, which brought laughs to the staff while developing the motion-picture show.[63] [64] The couple has 1 son.[49]

2 of his former assistants, Osamu Kajisa (Tattoo Hearts) and Yuuichi Itakura (Hand's), have gone on to moderate success following their work on Naruto.[65] [66] [67]

Influences and style [edit]

The first time Kishimoto used the double activeness technique in a fight between Naruto and Haku.

While as a kid Kishimoto enjoyed reading manga, he was inspired to write one later seeing a promotional image for the film Akira. This made him analyze the artwork of Akira 'due south original writer, Katsuhiro Otomo, as well equally Akira Toriyama, another artist he admired. Realizing both had their own style regarding the designs, Kishimoto decided to draw manga while crafting his ain images.[12] While attending art school, Kishimoto was also an avid reader of Hiroaki Samura'due south Blade of the Immortal, and extensively studied Samura'south page layouts, activity sequences, and anatomical techniques.[68]

When Kishimoto was originally creating the Naruto series, he looked to other shōnen manga for influences while attempting to make his characters as unique as possible.[69] Kishimoto cites Akira Toriyama's Dragon Ball series every bit one of his influences, noting that Goku, the protagonist, was a key factor when creating Naruto Uzumaki due to his energetic and mischievous personality.[seventy] When redesigning 3 characters for the series, Kishimoto cites The Matrix(one of his favorite movies) as an inspiration for their outfits.[71] He has also cited Yoshihiro Togashi equally ane of his favorite manga authors,[37] while the manga Sasuke by Sanpei Shirato inspired Kishimoto in the developing Sasuke Uchiha.[72]

Kishimoto has besides cited other influences such as Takeshi Kitano and Quentin Tarantino. He too mentioned Michael Bay's technique "of shooting a scene against the background lite" merely found information technology difficult to make.[13] Some other technique inspired past Jackie Chan's films he used in the Naruto manga is the "double-action"; in this activeness, a punch is shown in three different angles in order to give a big impact on the punch's strength. This was showtime shown in Naruto Uzumaki's boxing confronting Haku. Kishimoto sometimes draws panels every bit intentionally disruptive during fight scenes to add together a sense of speed. On the other mitt, Kishimoto commented that for the fights between Naruto and Sasuke, he added activity from the summit of the folio to the bottom in lodge for them to be easier to follow.[73]

During the serial' publication, Kishimoto got married and had children. The changes to his personal life afflicted the story as he fabricated Naruto Uzumaki meet his parents, something the author wanted the character to feel based on his ain experiences every bit a male parent.[5]

When cartoon the characters, Kishimoto consistently follows a five-step procedure: concept and rough sketch; drafting; inking; shading; and coloring. These steps are followed when he is drawing the manga and making the color illustrations that normally beautify the cover of tankōbon; the cover of Weekly Shōnen Spring; or other media. The toolkit he uses occasionally changes.[74] For instance, he used an airbrush for i illustration for a Weekly Shōnen Jump cover but decided not to use it for future drawings largely due to the cleanup required.[75]

Masashi and his twin brother Seishi have been drawing manga together since early childhood; thus their styles are similar.[76] As a result, each has been frequently defendant of copying the other- non just artwork, but story elements too. Seishi notes that the similarities are not intentional but are likely because they were influenced by many of the same things.[77] [78]

Kishimoto has admitted he made no plans in regards to the development of Naruto 'due south story developments. For example, when introducing Sasuke, the grapheme says he wants to kill a person named "Itachi" who he had to redesign a number of times. Past this time, Kishimoto merely thought that Sasuke'due south blood brother, Itachi, had done a wrong deed in the by but was not sure of what was exactly. Past book 16 of the serial which featured Itachi's actual introduction, Kishimoto decided Itachi was an agent working for Konohagakure to impale all members from the Uchiha association except Sasuke. This is afterwards revealed in volume 43 of the manga.[73] Another one was the revelation that the late Minato Namikaze would be Naruto's father. When Kishimoto had the idea that Minato would exist Naruto's begetter, he started adding hints of that to the reader such as giving the Hokage mountain from Konohagakure spiky pilus similar to Naruto's.[79]

In the making of the movie Boruto: Naruto the Movie Kishimoto paid tribute to several movies, the most notable being the 1996 motion picture The Stone and the 2002 film Spider-Man. The tribute to The Rock was mostly done past using Kishōtenketsu, which is a common way of structuring stories in Japan.[eighty] He also claimed he was a fan of Avi Arad, most notably his films based on the Spider-Man comic book graphic symbol.[81]

References [edit]

  1. ^ a b Kishimoto, Masashi (Oct 4, 2002). NARUTO―ナルト―[秘伝·兵の書]オフォシャルファンBOOK (in Japanese). Japan: Shueisha. p. 205. ISBN4-08-873321-5.
  2. ^ 「ＮＡＲＵＴＯ―ナルト―」作者・岸本斉史さん 新連載『サムライ８（エイト）八丸伝（ハチマルデン）』スタート 君も完璧じゃなくていい (in Japanese). Yomiuri Online. May iii, 2019. Archived from the original on May iv, 2019. Retrieved May iii, 2019.
  3. ^ "MANGA Plus: Interviewing editors". MANGA Plus. Shueisha. Archived from the original on Feb 12, 2020. Retrieved September 6, 2020.
  4. ^ a b "Masashi Kishimoto Takes Over as Writer for Boruto Manga". Anime News Network . Retrieved November sixteen, 2020.
  5. ^ a b c Kido, Misaki C. (Jan 2012). "Interview with Masashi Kishimoto (Creator of Naruto)". Weekly Shonen Bound Alpha. Viz Media (1–xxx–12): 118–121.
  6. ^ a b "Interview with Masashi Kishimoto Pt. 2 - Feb 13, 2012". Viz Media . Retrieved April xvi, 2022.
  7. ^ Kishimoto, Masashi (2005). Naruto, Volume 7. Viz Media. p. 66. ISBN978-1-59116-875-1.
  8. ^ Kishimoto, Masashi (2005). Naruto, Book vii. Viz Media. p. 104. ISBN978-ane-59116-875-i.
  9. ^ Kishimoto, Masashi (2005). Naruto, Volume 8. Viz Media. p. 27. ISBN978-i-4215-0124-6.
  10. ^ Kishimoto, Masashi (2005). Naruto, Book viii. Viz Media. p. 66. ISBN978-ane-4215-0124-half dozen.
  11. ^ Kishimoto, Masashi (2005). Naruto, Volume 8. Viz Media. p. 86. ISBN978-1-4215-0124-6.
  12. ^ a b Kishimoto, Masashi (2006). Naruto, Volume 10. Viz Media. p. 157. ISBN978-one-4215-0240-3.
  13. ^ a b c Solomon, Charles (December 17, 2008). "Interview: The homo behind 'Naruto'". Los Angeles Times . Retrieved April 5, 2016.
  14. ^ Kishimoto, Masashi (2007). Naruto, Volume 13. Viz Media. p. 26. ISBN978-1-4215-1087-three.
  15. ^ Kishimoto, Masashi (2007). Naruto, Volume 13. Viz Media. p. 66. ISBN978-i-4215-1087-three.
  16. ^ Kishimoto, Masashi (2007). Naruto, Volume xv. Viz Media. p. 66. ISBN978-ane-4215-1089-7.
  17. ^ Kishimoto, Masashi (2007). Naruto, Volume 15. Viz Media. p. 86. ISBN978-1-4215-1089-vii.
  18. ^ Kishimoto, Masashi (2007). Naruto, Volume 15. Viz Media. p. 106. ISBN978-1-4215-1089-vii.
  19. ^ Kishimoto, Masashi (2007). Naruto, Volume 15. Viz Media. p. 126. ISBN978-1-4215-1089-7.
  20. ^ Kishimoto, Masashi (2007). Naruto, Volume 16. Viz Media. p. 150. ISBN978-one-4215-1090-iii.
  21. ^ Naruto Vol. iv, p. 26
  22. ^ a b c d e f Weekly Shonen Spring 2014 No. 51, "Naruto Interview: The Showtime"
  23. ^ Naruto Vol. four, p. 46
  24. ^ Weekly Shonen Bound 2015 No. 45, p. 178
  25. ^ Naruto Vol. iv, p. 102
  26. ^ Naruto Vol. 11, p. 126
  27. ^ Naruto Vol. eleven, p. 46
  28. ^ "The Origin of Naruto - Naruto Shippuden - Official U.Southward Site" (Press release). Vizmedia/Shueisha. August xi, 2009. Archived from the original on February viii, 2010.
  29. ^ "Archived copy". Archived from the original on November 10, 2014. Retrieved April 12, 2015. {{cite web}}: CS1 maint: archived copy every bit title (link)
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External links [edit]

  • Masashi Kishimoto at Anime News Network's encyclopedia
  • Masashi Goodreads
  • Masashi Kishimoto at IMDb

sadlierhaddery.blogspot.com

Source: https://en.wikipedia.org/wiki/Masashi_Kishimoto